
James Graham Ballard - 15 November 1930 to 19 April 2009
I would sum up my fear about the future in one word: boring. And that is my one fear: that everything has happened; nothing exciting or new or interesting is ever going to happen again…the future is just going to be a vast, conforming suburb of the soul. — J. G. Ballard
I was a latecomer to the J. G. Ballard fan base. This did not stop me, however, from being quickly, deeply affected by his work, and from thinking, for the first time in years when discovering a “new” writer, as I had when one of my editors at HarperCollins first introduced me to the work of Thomas Bernhard in the mid-1990s, “How had I not already read this writer’s work?!” This is precisely how I felt upon reading Ballard’s Millennium People for the first time (of three times; I read it again, twice, immediately upon completion) early last year. So today, in the middle of only my second reading of Ballard’s Super-Cannes: A Novel, I find myself deeply saddened by the death of such a brilliant, visionary writer.
His work focused on, as Tomorrow Museum’s Joanne McNeil notes in her thorough, excellent retrospective of Ballard’s life and work, “a distrust of technology and human nature […] a sense of the absurdity of shopping malls and an intuitive understanding how architecture, especially in its most banal forms, affects our emotions. Ballard shunned email and Internet, it was irrelevant to his obsessions. His concern was space, the body, travel, the dark underbelly of a suburban tract housing development.” And I think it is precisely Ballard’s distrust of technology vis-à-vis human nature that drew me so strongly into his work, much as Bernhard’s distrust of society vis-à-vis human nature drew me so strongly into his own.
And I think it is this quintessentially Ballardian wariness of technology, and the future, the very things about which he wrote passionately and prolifically, that will be missed the most.
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RELATED SITES
- For fellow latecomers to J. G. Ballard’s work, the above-referenced article at Tomorrow Museum, JG Ballard, Our Greatest Living Novelist Is No Longer, is an excellent starting point, as are the Museum’s J. G. Ballard archives.
- Ballardian.com, “a very unofficial site exploring tropes and motifs found in the work of J. G. Ballard,” edited and published by Simon Sellars, also provides an astonishingly thorough compendium of the novelist’s work, life, and thought. Sellars’ Ballard obituary is a great place to begin.
Filed under: Architecture, Books, Technology , Ballardian.com, J. G. Ballard, linkage, science fiction, Thomas Bernhard, Tomorrow Museum, urban appreciation
































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